Watch a Shaolin monk for five minutes and you understand the appeal. A posture held long past the point the body should be able to hold it. A strike that goes through what it hits. Kung fu forms run at speed with nothing wasted — no wobble, no bracing, no visible effort. Strength, power, and a control that reads as grace. Yet, according to Master Shi Heng Yi — 35th-generation Shaolin master and headmaster of Shaolin Temple Europe — it is one half of a pair. Not because the movement is a small thing — kung fu and qigong ask everything of the body — but because of what it was built to carry.
Where the Path Begins
- Roughly fifteen centuries ago, a monk remembered as Bodhidharma is said to have carried a meditative form of Buddhism from India into China.
- He is said to have settled at the Shaolin Temple — Shaolin si, the “young forest temple,” named for the woods of Mount Shaoshi. The temple still stands, on Mount Song near the town of Dengfeng, in Henan Province, central China.
- What Bodhidharma planted was called Chan, from the Sanskrit dhyana, meaning meditation. Centuries later the same lineage reached Japan and was renamed Zen. One tradition, three words.
- Where the original focus of Shaolin was Chan meditation, the martial art forms and the breath work grew up inside that monastic life afterward.
- The movement was built to serve a healthy body and mind, and also to ease the long hours of sitting during zazen meditation.
Traveling westward, the forms went first — they are visible and photogenic — and the seated half largely stayed behind.
Sorting Out the Family
| Chan / Zen | The Buddhist tradition the Shaolin Temple was founded on. Its heart is seated meditation — the root the other two grew from, not something outside Shaolin. |
| Qigong | “Energy work” — coordinating breath, movement, and focused attention. A category, not a single form. |
| Kung Fu | The martial art forms. The word itself means skill earned through effort over time, not fighting. |
| Tai Chi | A separate lineage with Taoist roots, not Buddhist. It resembles qigong because both are slow and breath-led, but it comes from a different family. |
Within qigong there are distinct sets. Ba Duan Jin, the “Eight Brocades,” is the best set for a beginner — the form you will practice below. The Thirteen Luohan Postures take their name from the awakened beings whose statues fill the Shaolin Temple’s halls. Yi Jin Jing, the “Muscle and Tendon Change Classic,” is the most demanding — and its name tells you what it is for.
Qigong belongs to no single faith. The same breathing skills can be aimed at health, at combat, or at awakening. What you aim them at determines what you get.
What the Moving Half Builds
The moving half — the kung fu forms and the qigong breath work — is conditioning of an unusual kind: long holds, exact transitions, the same sequence repeated for years. Strength and power are the visible result. Master Shi Heng Yi names four more benefits the training aims for.
Persistence
Self-mastery is not a state you arrive at. He is blunt about the cost — it is difficult, he says, because it means fighting yourself continually. You are not trying to fix the world. You are fixing yourself. The forms are where that willingness gets built, one repetition at a time, long before it is needed anywhere else.
Composure under pressure
Steadiness that holds when things turn against you.
A different relationship to pain
The training does not remove pain. He says so plainly, and from the inside: he describes his own body after hard training, left full of pain and agony — and then a moment when it no longer had the hold on him that it had earlier. The pain had not gone anywhere. What changed was his relationship to it.
Refined sensing
At some point in that repetition, Shi Heng Yi says, body and mind stop operating separately, and thinking gives way to sensing — you feel what you are doing rather than instructing yourself through it. That refined sensing, in his words, already amounts to a quality of mind.
“It is your actions, your behavior, the small and subtle movements that serve as the ultimate expression of your understanding.”
— Shi Heng Yi, from the talk Life Beyond Knowledge
The Seated Half
The seated half — Chan, or Zen, sitting meditation — is less photogenic than the forms, which may explain its poor travel record. There is nothing to watch. A person sits.
The instruction is exact. Spine upright and self-supporting. Breath left to find its own rhythm rather than steered. And then the one thing the moving forms never ask: you stop managing your experience. Thoughts arrive. You neither chase them nor push them away. You notice they came, notice they went, and notice — this is the whole hinge — that something in you was watching them arrive and depart.
That watching is what the tradition is after, and it is the one thing the forms cannot hand you. The sitting meditation delivers an important discovery: the thoughts are not you.
Comfort here is trained, not given
To sit well you need a body that is at ease in itself — open in the hips, strong through the back, breathing freely, at peace enough to be still. That is not a starting condition. It is exactly what the moving half builds.
Care for the body, yet see past it
Shi Heng Yi puts both halves of this in a single breath: you possess this body, you should take care of it, and it is not what you are in essence.
“I am not the body, I am not the mind, I am not my emotion.”
— Shi Heng Yi, TEDxVitosha, 5 Hindrances to Self-Mastery (2020)
Physical training refines the instrument to an extraordinary degree — but it does not turn the instrument around to look at itself. That is a different task, and it needs a different method.
Shi Heng Yi has said that people get stuck on the physical side — and he is unusually generous about why. They stop there because it is genuinely doing them good. His answer is not to dismiss that benefit, but to point past it:
“If just sticking to these type of external practices already gives you such a benefit, how much more benefit do you think you will really get when you get to the core of all of these teachings?”
— Shi Heng Yi, in conversation with Travis Eliot, The Shaolin Truth About Your Mind (2026), around 12:00
A Beginner’s First Steps to Qigong and Chan/Zen (Moving and Sitting)
- Move first, then sit. Movement discharges restlessness, brings blood to the spine, and settles the breath. A body that has just moved with attention sits far more willingly than a body taken straight from a desk to a cushion.
- A beginner’s round: 20 minutes of Ba Duan Jin, then 10 minutes of zazen sitting meditation. A compressed version fits into fifteen minutes total.
- How often matters more than how long. Fifteen minutes on most days will carry you further at the start than two hours once a week.
The moving half — Ba Duan Jin, the Eight Brocades
- Follow along: Shaolin Qi Gong — 20 Minute Daily Morning Routine, Ba Duan Jin (Complete Form), demonstrated by Shi Heng Yi. You copy the movements rather than being lectured at.
- Written out: his own reference page for the form.
- Hold each end position with real tension in the body.
- Breathe deeply and slowly through at least four full cycles before moving on.
- Keep your attention on the part of the body the movement is working. Rushing the form is the one way to waste it.
The seated half — ten minutes of zazen sitting meditation
- Spine. Chair or cushion, back tall and self-supporting, not leaning. Hips forward slightly; let the spine stack itself.
- Hands. Right hand palm-up in the lap, left hand palm-up resting on it, thumb tips touching lightly. When the mind drifts the thumbs separate or press together — the hands report on your attention before you notice it yourself.
- Eyes. Open but lowered about 45 degrees, not focused on anything. Closed eyes invite drowsiness; this is why Zen keeps them open.
- Breath. Breathe naturally.
- The instruction. When you notice you have been thinking — and you will, many times — that noticing is the exercise, not a failure of it. Return your focus to the breath.
- Guided: Shi Heng Yi’s meditation playlist keeps you with the same teacher as the forms above. For posture in finer detail, the Soto Zen school publishes its official zazen instructions, with video — the source of the posture notes here.
Closing
The forms build a body that can do remarkable things and a mind steady enough to stay with them. The seated half takes that steadiness and turns it toward the one thing physical training can never reach. Fifteen centuries ago the monks of Shaolin used both movement and sitting to excel in mind, body and spirit, and nothing since has been necessary to improve on this arrangement.
Move first. Then sit. 🌿
On both halves being needed — “The Shaolin Truth About Your Mind,” Travis Eliot in conversation with Master Shi Heng Yi, Inner Dimension Media, April 27, 2026. Watch it here. Drawn on above: around 11:30–12:00, people getting stuck on the physical side, and the “how much more benefit” question quoted in full; around 13:10, possessing and caring for a body that is not what we are in essence; around 45:00, repetition producing refined sensing as a quality of mind; around 54:00, self-mastery as fighting yourself rather than fixing the world; around 1:02, his account of training through pain and agony and the change in how it held him. Quotations are lightly tidied from YouTube’s auto-generated captions.
On the teachings — Shi Heng Yi, TEDxVitosha, “5 Hindrances to Self-Mastery” (2020), quoted above; the talk “Life Beyond Knowledge,” quoted above; his official site shihengyi.online, source of the Ba Duan Jin reference page linked here.
On seated posture — Sotoshu Shumucho, the administrative head of the Soto Zen school of Japan — official zazen instructions at sotozen.com. Source for the posture, hand position, and eye notes above.
A note on history — the traditional accounts — Bodhidharma bringing Chan to the Shaolin Temple, monks shaping the Luohan postures from temple statues — are honored tradition rather than strictly recorded history, and are presented here as such.
A note on the body — nothing here is medical advice. Begin any physical training at the level your body is at now, not the level you would like it to be at.